We do try to talk to our clients about having a diverse viewpoint, strategically, in the way they go to market with video. There are times that call for specific programming or specific direct deals to get access to inventory measurement, or audience segments that might be kind of locked behind a partnership deal.
What we find, though, is that most of our clients appreciate and enjoy the flexibility of a programmatic buy, and that allows us to just shift dollars and react to the marketplace way faster. You may not be able to guarantee a particular show or a spot, but it tends to perform better from a business perspective.
It’s interesting you bring that up, because some publishers (like Paramount) are experimenting with fixed CTV placements within their programmatic environments. Do you think there’s value in that?
Yeah, I do, particularly with our clients. Frequently, in organizations that have franchisee systems, the owners and operators really know their business, but they don’t know marketing. They’ll see a dashboard or numbers on a spreadsheet, and they’ll say, “I never see my ad. I don’t feel it.”
There’s value in being able to say, “Tune in at this time, and you, and everyone around you in the neighborhood that happens to be watching that show, will see the spot.” And where you find value, you find the opportunity to charge a slight premium. So it’s not a shock to me that some publishers might go down that route.
A lot of agencies are having ongoing conversations about how connected or siloed their linear, CTV and online video channels should be from one another. How are things currently structured at NOVUS?
The currency of the industry still separates it, right? YouTube is its own walled garden. OLV is still its own budget line item. But from an activation perspective, in some cases, we are combining video formats.
A lot of times, we’re combining offline and online versions of the same thing. There are nuances and differences – you can do things in terrestrial radio, like with a DJ going to a location, that you can’t really do with streaming audio. So we’ll understand the nuances of each channel, but the job to be done within those channels is strategically the same.
What kinds of trends within CTV are you most interested in exploring?
What’s always interesting are the headline grabbers around who’s carrying what, like YouTubeTV losing access to Disney’s channels. Our lean toward programmatic has helped us a lot, because we’re basically accessing that inventory no matter where it’s carried.
I also feel that the way the marketplace is fragmented is going to shake out a little bit. You’ve got all the big publishers and streaming platforms that you can do direct deals with, or that you can find programmatically. But you’ve also got the hardware and set-top boxes that are trying to sell inventory, and they each have their own specific use cases.
I do think the hardware manufacturers could offer some interesting options for us as buyers with greater consumer insights. If they open up that data a little bit, it would be more enticing from a strategic perspective.



